You've come to the right place if you're seeking new information on the historic
English musical press (periodicals, writers, readers and music criticism), British music institutions (London Philharmonic Society, Sainsbury's Dictionary, Royal Academy of Music, Grove's Dictionary, Queen's Hall Promenade Concerts), or late 19th- and early 20th-century London concert history (halls and venues, players and conductors, orchestras, recitals, repertory, audiences, promotion, finance and reception).
I'm a social and cultural historian, and my subject is classical music in Britain from 1750 to 1950.
Within it, I aim to challenge prevailing stereotypes and
stimulate fresh thought. If you need more information or
want to discuss your own music research project please contact me.
Most of my published work is available in major libraries. Some is available to buy,
and some is free on the web.
I'm currently writing a book about late 19th- and early 20th-century London concert history - everything from concert halls, urban
development and orchestral finance to repertory, players,
listeners and changing perceptions of high and popular
culture.
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With more than 25 years' experience in
teaching, writing and the publishing industry,
I also offer
a professional music research and support service for media producers, music archivists, book
and journal editors, conference planners, educators,
academic supervisors, picture editors and students.
Tell me what you want to know, or what angle you're
pursuing, and I'll do my best to help in a timely and
cost-effective way. I look forward to receiving your
enquiries and feedback.
Read what the critics say
In preparation - Unlocking Classical Music: Queen's Hall and the Rise of Public Orchestral Culture in London, 1880–1930 |
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